September, 10 to September 18, 2014
Jointly organized by the Orient-Institut Beirut and Forum Transregionale Studien
This Summer Academy offers early-career scholars an opportunity to follow up on the debates about modernity, its preconditions and its aftermath by focusing on the multifarious processes and often unique ways in which societies outside Europe have adopted, translated, rejected or produced the global, the modern and tradition since the seventeenth century. It places a specific focus on the notions of subjectivity and objectivity, the individual and the subject, as key notions of modernity, and addresses systems and practices of knowledge production, communication and authority as they developed in the region that extends from Morocco to Indonesia. The Summer Academy engages with the debates on the writing of a more global history by paying particular attention to changing textual and aesthetic practices and language policies.
You are cordially invited to attend our public lectures:
Lecture I 11 Sept, 5 – 6.30 pm, AUB, Building 37
Ray Brassier (American University of Beirut)
Dialectics between Suspicion and Trust
Lecture II 12 Sept, 5 – 6.30 pm, Orient-Institut Beirut
Hans Harder (University of Heidelberg)
Reading Paratexts: The significance of textual frames
Lecture III 13 Sept, 11:30 – 1 pm, Orient-Institut Beirut
Nader el-Bizri (American University of Beirut)
Ontological-Epistemological Renewals within the Dialectics of Tradition and Modernity? Critical reflections on methodology in the field of ‘Arabic sciences and philosophy’
Lecture IV 15 Sept, 5 – 6.30 pm, Orient-Institut Beirut
Kirsten Scheid (American University of Beirut)
Dhawq ‐ On the aesthetics of incorporation and the importance of a linguistic approach
Lecture V 16 Sept, 5 – 6.30 pm, Orient-Institut Beirut
Monica Juneja (University of Heidelberg)
From the Religious to the Aesthetic Image – or the struggle over art that offends
Lecture VI 18 Sept, 5 – 6.30 pm, AUB, Building 37
Bodhisattva Kar (University of Cape Town)
Modernity and Misplacement: A curious history of anachronis